Some Short Words on Netflix’s “Castlevania”

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So yes, Castlevania on Netflix is neat!  It’s already great to see a legendary game franchise finally getting the animated treatment, but even better, it’s amazing to see said franchise get a WELL WRITTEN adaptation in this format.  My first sight of the trailer made it appear as though Castelvania 3: Dracula’s Curse would be the focus and right we were.  We got Trevor Belmont, Alucard, Sypha and lots and LOTS of exposition into Symphony of the Night territory with both Lisa Tepes and Count Dracula.  All in all, Castlevania is worth a watch and below are my quick thoughts on what’s good, bad and ugly about this new show.

The Good – The Look, Story & Sound:  First off, let’s start with the best thing about the show, and that’s the script.  Utilizing Castlevania 3 and Symphony of the Night as starting points, Warren Ellis and the gang do an excellent job of fleshing out the backstory of Vlad Tepes, his time in Wallachia and yes, how he meets Lisa.  Furthermore, the show goes to great lengths in depicting how HORRIBLE the Church is to EVERYONE, and that maybe, just maybe, Dracula’s bloody reign across the land is ample punishment against an institution that’s as evil (or more) than him.  Lastly, I think a good word needs to be said about how well thought out the characters of Trevor, Sypha and Alucard are.  Sypha especially gets the Golden Treatment here as a benevolent ass-kicker with magical know-how.  Trevor is great as the drunk exile who’s seeking a purpose in life amidst the madness ravaging the land and Alucard….well, we don’t know that much about him, but here’s hoping that Season 2 will do more in that regard.

Speaking of our three heroes, we need to give Sam Deats and his team a round of applause with the Ayami Kojima-inspired character designs.  Everyone not only looks great, but they’re damn true to form for an animated video game adaptation, especially in regards to Trevor and Sypha.  However, we can’t applaud this show without talking about the action.  Let me be clear and say that the action can be sparse at times, but when it shows up, it’s awesome.  This is best exemplified in the well-animated battle between Trevor and Alucard, which has a languid fluidity that’s got the trappings of Spike Spiegel’s first fight scene in Cowboy Bebop’s Asteroid Blues.  And finally, let’s not forget that Castlevania has some top-notch voice acting.  When it comes to Bishops, drunks and even Count Dracula himself, rest assured that we’ve got some damn fine storytelling behind the mic.  So all in all, when it comes to the Look, Feel & Sound of Castlevania, I think we’re all golden.

The Bad – No Grant, Sparse Combat and Power-Ups:  Mad props to Warren Ellis for his work on this show and all, but one gripe I have with him is that we’re without the presence of the climbing pirate known as Grant, where he feels that he didn’t fit with the overall timeline of the show (and that his name was ‘stupid’).  Not the end of the world mind you, but it’s pretty damn unfortunate because if we were able to see Ellis do some nice work in fleshing out the Speakers and the Belmonts, then I’m sure we could’ve repackaged Grant as a thief or bandit with a heart of gold.  Also, the man vs. monster action was SPARSE! (I think I said that already)  For a show that’s adapting one of the most illustrious chapters of the Castlevania franchise, I was hoping for more vampire whipping and less choir-boy busting, but that’s just me being picky.   Lastly, I really didn’t see enough of the fun elements that made the games so enjoyable, i.e. the POWER-UPS.  Now we DID see holy water being used during that great fight between the townsfolk and the monsters (led by our inebriated Vampire Slayer), but what about the axe and the boomerang?  Hell, what about using the whip to even greater effect?  You know, the mainstay weapon of the franchise?  These criticisms aren’t deal-breakers mind you, but we’re making Castlevania folks, so let’s remember that adding the words ‘camp’ and ‘video game’ aren’t entirely ‘bad’ things here.

The Ugly – The Blah Blah Blah:  If there’s any element about Netflix’s Castlevania that deserves to be in the ‘ugly’ category, then it’s the pacing.  You know why?  Because it’s ALL OVER THE PLACE!  Scenes where drunks make gossip may seem necessary for exposition but they inadvertently drag episodes, which make the long stretches of the show a slog instead of a series of eye-catching reveals.  Even Dracula’s ‘walk’ to his burnt home before he goes AWOL is paced so poorly that it makes him look awkward and STUPID which, for that instance at least, undermines how much of a villain he’s supposed to be.  Seriously, how is Dracula and the word ‘inaction’ even in the same damn sentence!?

I think we all understand that animation is an expensive endeavor, and although it’s not uncommon to create still scenes with heavy voice work as filler, the Castlevania team could’ve used their resources to visually convey these expositions without having to slowly pan across landscapes while yapping our brains to mush.  Aside from the ‘sleeping soldier’ tale, Castlevania not only needs to work on how it paces itself via exposition, it simply needs to inject more mythos into its myths.  It needs more mystery.  It needs more spooky.  It needs more creepy that’s paced RIGHT!

Overall, Netflix’s Castlevania is worth the watch.  Despite it’s brief run time and strange, groggy pacing, the show does wonders in adding new nuances to the Castlevania 3 storyline.  Furthermore, it’s got great character designs, well-animated fights (when they DO show up), a slick script and a boat-load of voice talent to back it all up.  So yeah, check the show out and cross your fingers for a much-improved Season 2.

The Twin Peaks MINDF*CK!

I am thoroughly enjoying the Twin Peaks Revival.  So much so that I would rather lose sleep on a Sunday night than to miss the buzz from whatever Lynch & Frost may throw at us next.  From Dougie Cooper to Richard Horne, from the sights of the good ol’ cast to hearing Albert cussing out Gene Kelly, it’s been one helluva ride back to the quaint world of Twin Peaks.

Then came Episode 8.  Motherfucking Episode 8…….

I have no words to describe what just happened last Sunday.  No words except that it was a surreal mindfuck.  7 episodes in and I was already convulsing about what in God’s name was going to happen next.  Was the simple charm of Dougie Coop finally ready to give way into our Special Agent Dale after he judo chopped Ike the Spike?  Was Hawk going to find more clues to unravel where that missing page went from Laura’s diary?  Were we gonna see more hijinks from the Horne Brothers, or even Dr. Jacoby?  What about Ed, Nadine & James Hurley?  Will we get to see more heartbreaking moments with Bobby Briggs?  Will we get to see more of Laura Dern as Diane?

Well, we didn’t see any of that.

What we saw was this:

From there we saw creation, obliteration, the collision of worlds, the birth of Bob, the Experiment, the cans and, yes, we saw the Golden Orb.  We saw Laura Palmer.

However, these surreal, brutal flashbacks weren’t over.  They weren’t done with us yet.  Other horrors had emerged in its wake, many of which we can never look away from again.  The eeriness of the Woodsman.  The head crushing.  The gutting of Bad Cooper, and yes, the bug crawling into the little girl’s mouth.  There’s so much that we don’t know in this episode that it’s simply mind-boggling.  It changes how we view Bob, how we view the Trinity test and yes, how we view Laura.  Was she sent by the Giant as a heroine to fight the coming darkness?  How crucial is she in the push-and-pull between Good and Evil?  Did Bob know all along, hence the abuse and suffering that he put her through via Leland?  Noel Murray from the New York Times explains this hour as such:

I think we saw mankind setting loose forces beyond its control with the introduction of potentially civilization-destroying weapons in 1945. That test blast may have been what brought Bob into the world, and thus re-engaged our celestial overseers. But as is often the case with the way the universe works in “Twin Peaks,” nothing happened instantaneously. The darker elements took root gradually, while the warriors meant to combat them — like the spirit of Laura Palmer, or the various non-malevolent forms of Agent Dale Cooper — slipped into the world in ways both clumsy and imprecise.

This is one of the most provocative ideas from the original series that these new episodes have been carrying forward: this sense that even the most well-intentioned humans are incapable of interpreting and acting on the messages coming from the gods, who neither think nor communicate as we do. That’s why the dark side keeps winning out — except on rare occasions when someone as completely unselfconscious as “Dougie Jones” just blindly follows the directions from above, winning slot-machine jackpots and brilliantly analyzing insurance documents along the way.

It’s because of this disconnect between what the immortals are saying and how the humans are responding that it seems inadequate to reduce this hour to a simple explanation.

Whatever it may be, I believe we can all count on one thing:  that this Episode is TV history in the making.  We all thought that Lynch & Frost would be ill-prepared for this era of the boob-tube.  We were worried that it couldn’t be done.  We all feared that Twin Peaks would render itself a dud after 25+ years and be laughed off by the fucks that wouldn’t want to understand it.  However, it’s only Episode 8.  We’ve been totally mindfucked.  All our collective heads are spinning just to make sense of what we all saw and we are all hooked.

That’s right everyone.  It is happening again.

Note:  For those of you who might not know about Twin Peaks and are interested, see below:

A Touch of Sammo

Sammo Hung is one hell of a legend when it comes to Hong Kong Cinema.  How he fights so fast with his frame defies imagination, so I try my best to find what I can from him here in the States.  So let’s get a few of my favorite fights together from Mr. Hung and check out the master at work.  Don’t forget to pick up your jaw from the floor.

I’ll definitely post more fights in the future, but for now, these’ll do.

Naika Talks TIME FORCE: The Show That Brought Me Back to Power Rangers

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It was in 2001 when I first ran into Time Force on a Saturday morning.  As some of you may know, I was a big devotee of the Power Rangers during the Saban / Fox Kids days but veered off of it after the amazing end of Lost Galaxy.  The time travel aspect seemed a bit weird to me and, frankly, I didn’t bite.  Fast forward 14 years later in 2015, where I found myself not only watching Linkara’s History of Power Rangers to kill time, but returning to where I left off in my fandom of the show.  That’s right peeps, I finally saw Time Force and I LOVED IT.  Everything about the show was so fun yet fresh, while still retaining that campy attitude that made MMPR so lovable at the time.  Looking back, I can safely say that thanks to Time Force, I’m finally back to being a Power Rangers fan.

14 years is a long time, and much has happened to me in my life.  When I finally sat down to watch Time Force, the first thing I thought to myself was “Jesus, I should’ve watched this back in the day!”  However, if I did, I probably wouldn’t have been that productive during my college days.  Besides, try telling a girl in college that you still watch the Power Rangers at that time and I’m SURE you would’ve been laughed off the park.  Anyways, what I SHOULD say is that my regret for not watching Time Force came much earlier as I watched Linkara’s review of it.  Oddly enough, it didn’t spoil anything for me.  Instead, it primed me for the awesomeness that would come when I finally saw Wes and the gang in action against the madness of Ransik.  Full of awesome action and a decent story (for a PR show), Time Force not only helped me rediscover my love for the PR franchise, but it was a way for me to pass the time while living alone.  My girlfriend at the time (now wife) had to relocate for her Ph.D., and it would take me almost 10 months to reunite with her.  It wasn’t easy living for either of us at that time, but we made it work.  Looking back now, rediscovering the Rangers really did cheer me up because living without your girl is utter hell.

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What I love the most about Time Force is how much of a goofy family the team is, and how important the idea of togetherness is to the group.  In many ways, Jen, Lucas, Trip, Katie, Wes and Circuit are like college roommates who not only had shitty jobs, but lounged around on their free time, ate tons of junk food, lived in a drafty apartment (clock tower), watched movies and played jokes on each other.  Mind you, this is how they are WHILE they’re catching bad guys and being Rangers.  It’s as if the Power Rangers franchise grew up with its audience, where at first, it started out as a tale about positive high-schoolers who wanted to save the world, and they would slowly mature into adults who either went off to discover new galaxies, joined a Ranger version of the National Guard or became Timecop impersonators seeking to relive their college days.  Whatever the case may be, these later seasons after Power Rangers in Space displayed a more grounded sense of friendship and togetherness under the backdrop of much darker themes, with Time Force being the best of the three.  This not only makes Time Force a perfect season for occasional binge-watching, but it’s also a great introduction to the Power Rangers Universe for new fans (i.e. My Wife).

Now, a show like this wouldn’t be what it is without the action.  The Timeranger footage first of all is amazing, so we seriously have to give it up to Toei and the JAC Stunt Crew for making the Japanese action such a thrill to see.  However, a PR show wouldn’t be what it is without Koichi Sakamoto and his stunt team for truly bringing the pain when it comes to the U.S. fight scenes.  There’s a plethora of painful falls, combos and acrobatics here in Time Force, and Koichi’s gang do their utmost to bring you explosive action from start to finish. The stunt team even have fun with themselves by filming an impressive yet hilarious homage to Jackie Chan with the fictitious “Frankie Chang.”  Although Koichi’s crew does double for the Ranger actors frequently (plenty of wigs and stuff), he does give the likes of Erin Cahill, Kevin Kleinberg, Michael Copon, Deborah Estelle Phillips, Kate Sheldon and Jason Faunt the chance to do some of their own fighting, which is always neat to see.

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However, the standout stunt fighter in Time Force would have to be Dan Southworth.  The stuntman / actor did an outstanding job with his portrayal of Eric Myers, the Quantum Ranger, and took the fandom into new heights as he blurred the line between being a rival and being an absolute bad-ass.  Besides doing all of his own stunts and fight work, he’s proved himself to be one of the best actors on the show by making Eric the kind of anti-hero that hasn’t been seen on Power Rangers since the Magna Defender.  As Dan has stated in many interviews, Koichi Sakamoto had a huge hand in giving him the chance to audition for Time Force, and it’s paid off massively for both him and the Power Rangers franchise.  From the stunts to the explosions, from the fights to even Dan Southworth, Time Force wouldn’t have been as good without Koichi Sakamoto at the helm, and it shows.

Another big element that made Time Force such a hit would have to be the villains.  Without question, the tokusatsu monster designs are amazing here, but what I’m really talking about is the characterization of Ransik, Frax and NadiraVernon Wells was totally over-the-top as our main antagonist, yet he gave so much memorable depth and grayness as Ransik that you can’t help but sympathize with his lot in life.  And he had bone swords!  That is fucking COOL!!!  Nadira on the other hand can be a bit strange for a villain at first, but trust me, you’ll warm up to her eventually, especially towards the end.  In many ways, she’s like a psycho valley girl… with superpowers.  Lastly, Frax deserves special mention as a villain who’s maniacal, cunning and duplicitous.  However, as many of us know, Frax also has secrets of his own buried in the past that, in many ways, make him more man than machine. All in all, Time Force would never be what it is without villains that not only engage our heroes in equal standing, but challenge our own notions of what a villain on Power Rangers can be.

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Another element that I can’t leave out when talking about Time Force is the Zords.  They are amazing in this season, and this is especially the case for the Time Force Megazord.  It’s the first time in the series where we get to see the main megazord exhibit two separate modes of transformation which yield two different combat modes.  The Mode Blue Time Force Megazord utilizes quick moves, jump kicks and fast-paced gun-fighting to wear down opponents.  The Mode Red Time Force Megazord however is used more often and has that conventional robot look, especially since it utilizes a saber and shield.  Mode Red also has the coolest finishing move for a Zord with what I call the “Countdown Slash.”  When a mutant is hit with this, time stops, the Megazord Saber acts like a clock and once all the hands hit 12, the Rangers say “You’re Time’s UP!” This freezes our adversary down and he or she gets sent to the slammer.  Neat, huh?  Furthermore, the Time Force Megazord has a host of other robot allies, including the Time Shadow Megazord (which can combine with the Time Force Megazord to make two additional modes for the Shadow Force Megazord) and the Quantum Ranger’s awesome Q-Rex.  Now it might not sound like a lot of zords, but trust me, Time Force has got your robot fix covered!

Finally, Time Force wouldn’t be such a standout season without the amazing work of the main cast.  Each and every one of the main Rangers brings something so fresh and unique to the franchise that it begs you to wonder why they didn’t go ahead with that rumored second season.  Now, the first shout-out most definitely goes to Erin Cahill’s amazing performance as Jen Scotts.  She was the first Pink Ranger to act as a leader on Power Rangers and showed all the nerve, emotion, control and conviction to earn that title.  This is especially evident in the first few episodes because when we first meet Jen, everything comes crashing down for her after losing Alex.  However, events like this help Jen grow into a capable and empathetic Ranger who loves her team, sticks to her ideals and never gives up.  It isn’t easy being both a leader and a woman in the superhero world, but Jen shows us that vulnerabilities can lead into strengths in the most dire of circumstances, making her one of the most memorable Pink Rangers in Power Rangers history.

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Much love also goes to Katie Walker, portrayed by Deborah Estelle Phillips.  Katie in many ways is the true big sister of the group, who displays not only superhuman strength but a super gigantic heart.  Whenever she’s not clobbering Cyclobots, she’s giving emotional support to the team either through funny banter or rib-crushing bear hugs.  This makes episodes like “Future Unknown” such a treat for fans who want to see more from her.  Oh, and let’s not forget “Legend of the Clock Tower,” where she basically meets a crappy poet, beats up colonials and changes time for good (holy shit)!  As many of us know, Katie gets the least amount of development as a main Ranger, but that doesn’t diminish her standing in my book.  Like Tanya and Aisha before her, Katie goes into the history books of the PR universe as an amazing female character who can not only topple armies and save the world, but can do so with a whole lot of heart and soul.

Since Time Force is a show that involves high-tech officers from the year 3000, there’s nobody that visually embraces this notion more than Trip & Circuit.  One is a green-haired alien genius with a crazy gem that helps him see into the future, while the other is a super-duper cute baby robot owl who can summon zords.  Seriously, can you beat that?  That’s like the dynamic duo times ten!  Also, my wife LOVES Circuit, and it’s especially cute to see him interact with all the Rangers (including Katie at the end of the heartbreaking-yet-adorable-but-still-ominous “Circuit Unsure”).  Now among the Rangers, Trip is the gentle genius who’s got a heart of gold, but has a tendency to be a bit naïve with folks who will take advantage of this.  Nevertheless, I think it’s that innocence and willingness to trust in the goodness of others that makes Trip such a positive character on Time Force, especially in episodes like “Trip Takes a Stand.”  And if he’s ever in a pinch, Circuit arises from his backpack to the rescue.  Like Trip, Circuit’s very innocent, but he’s always willing to go above and beyond to help the Rangers save the day.  This obviously puts him at risk, and unfortunately, he does get abducted, tampered with, and even takes a bullet for the team.  However, that only means that Circuit is a lovable bad ass that, like Trip, can go the distance.  Remember, this is the same lovable owl that told ERIC, THE QUANTUM RANGER, to go do his fucking job during “Movie Madness” (my wife loves that scene because Circuit goes “WHOOOOAAAAH” when Eric tries to swat him off of his SUV).  Lovable to a fault, Trip & Circuit are the tech wizards of the team, but just because they’re nice doesn’t mean they can’t whoop your ass sideways.

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However, I seriously need to put a word in about Lucas Kendall.  There isn’t that much to Lucas since he’s either chasing girls or traffic tickets, but he’s shown to have a lot of consideration for others once he warms up to them.  Whether it was about Trip being a Xybrian on the first episode of the show, or when he’s dealing with Dr. Zaskin’s daughter in “Bodyguard in Blue,” Lucas can get pretty annoyed with others who inconvenience him.  However, that goes full 180 once both parties are put in a life-or-death situation.  Another thing you’ll notice about Lucas is that he has these suave mannerisms that he exhibits throughout the show.  These can include his obsession with hair gel, love of cars, his grin and even his tendency to straighten his hair, especially during his fight-and-chase in Part 2 of “Movie Madness.”  Hell, he even pioneered the Polaroid Selfie in “Dawn of Destiny!”  There may not be much to Lucas, but all in all, he’s cool.  Besides, how many suave, Asian, race-drivin’ time cops have you seen on TV anyways?

Lastly, we need to have a word about Jason Faunt as Wes Collins.  Despite being a clueless rich kid, Wes’ enthusiasm about being a Ranger gave him the impetus to fight for his place within the team.  Furthermore, his happy-go-lucky nature, selflessness and overall status as ‘the reluctant heir’ was a breath of fresh air for the franchise, where Red Rangers generally seem to be born leaders chosen by fate.  However, in order for Wes to have any sort of character development, he needed help, and his interactions with his Father, Eric, Dr. Zaskin and the rest of Time Force were instrumental in giving us a sense of how far he’s come since the beginning of the show.  Finally, Wes’ story can’t be complete without his tense-yet-tender relationship with Jen.  It’s clear early in the show that he simply rubs her the wrong way in almost every department, especially in terms of looks (ahem, Alex).  However, they slowly begin to trust each other like real partners would, making the last episode of Time Force such a bittersweet moment once everything is said and done.  All in all, these are the reasons why Wes is one of my favorite Red Rangers of the Saban Era.  Not only is he willing to sacrifice everything for love and friendship, but he’s a carefree and spirited guy who’d love nothing more than to do the right thing as a Power Ranger.

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Despite its inherent awesomeness, Power Rangers Time Force isn’t without its faults.  I think we can all agree that there’s some plot holes peppered throughout the show, where we’re left wanting a bit more explanation with respect to the future.  Nevertheless, the writers did an excellent job adapting Timeranger to make a show that not only stayed true (to a degree) to its source material, but added enough detail to make Time Force unique in its own way.  This season of Power Rangers is nothing like the campy high-school antics we would find in the first five seasons, but one full of consequences, loss and ultimately, separation.  However, that’s also complimented with an amazing level of mirth, camaraderie, reconciliation and forgiveness.  It’s easy to use the Angel Grove years as a way to dismiss the franchise as a whole, but take one good look at Time Force and you’ll see that it’s not only a great kids show, but an amazing landmark for the Power Ranger franchise in terms of risk-taking.  Time Force was the PR show that finally got honest with itself to make something memorable, and to this day, fans cite it as one of the best seasons of the Power Rangers Universe.  It’s the season that, in many ways, put action and characterization ahead of super powers.  It’s the season where we lose a Ranger in the FIRST EPISODE.  It’s the season where thirty / forty-somethings can ask themselves, “Was I like that in 2001?”  It’s the season where women aren’t sidelined BUT are actually leaders okay, LEADERS!  It’s the season where villains can finally find a path into redemption and yes, it’s the season where I, after 14 odd years, can finally say to myself, “I love the Power Rangers, and you know what?  That’s okay.”  Thank you Time Force.  Thank you for bringing me back to the action.

Naika Reviews “Street Fighter 2: The Animated Movie” on Blu-Ray

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The arcades were a thing of beauty.  Every weekend trip with either my Mom or my Dad to one was filled with awe as we geared up to play a plethora of pixelated punchfests.  I remember how amazing it was to see Samurai Showdown for the first time on a big red Neo Geo MVS cabinet at Dennis, The Place for Games in Chicago.  I remember my Dad taking me to a suburban arcade after his basketball meetups in Addison, Illinois to mash bad guys on Konami’s X-Men or The Simpsons.  I’ll never forget my Friday trips to Fun Zone by Lane Tech High School, where all I really did there was play the shit out of King of Fighters ’96.  However, the allure of Street Fighter 2 was one of a kind, and you’d be a fool to walk by that awesome cabinet without dropping in a quarter to play.  Street Fighter 2 mania was real folks and it was fantastic.  I can attest to this, because I was there.  I experienced it.  I read it.  I lived it.  I breathed it.  It was a worldwide phenomenon and when it got animated, it was a dream come true.

Street Fighter 2 has obviously gone through multiple iterations, but Super Street Fighter 2 – The New Challengers was glorious to me on so many fronts.  First off, we got four new characters with four amazing stages.  Secondly, new moves were also added to the old roster with even better animations.  This followed with more color schemes for characters and we even had a kick-ass home version for the SNES.  However, the glory exploded into full-on awesome sauce when the world was finally given an anime film based on the Street Fighter 2 story.  None of us could believe it, but we flipped out and had to have it on VHS.  Some of us were obviously disappointed with the Van Damme SF2 film (which, in hindsight, wasn’t all that bad), and this, to my eyes at least, was going to be the film that would get the real story right.   We all knew that this would not only look awesome, but that it would have that feel of Street Fighter while bringing us back to the story of Ryu and Ken.  However, is this anime film worth your time?

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Naika Reviews “Bone Tomahawk”

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Bone Tomahawk was the last movie I saw in 2016 and it was a goddamned mistake to do so.  I should’ve picked something fun, sentimental or positive to watch, but I ended that awful year with a movie so fucking brutal and timely that it made Mariah Carey’s Times Square performance a cake walk (that shit was still embarrassing though).  Bone Tomahawk isn’t the horror-western we needed, but the one we deserved.  And if you’re brave enough to see it through, it will provide unshakable payback with haunting reverberations.

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Naika Reviews “Midnight Diner: Tokyo Stories” from Netflix

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Despite my huge love for manga and anime, I believe you learn more about Japanese culture through television and film.  So what better way for you to soak it all in than to binge watch the newest season of a long running Japanese TV show adapted from a food manga?  Originally known as Shinya Shokudo, Netflix was able to get the rights to a brand new 4th season for 2016 called Midnight Diner: Tokyo Stories.  It’s great television with lots of heart as we see the comings and goings of various patrons as they shack up a late night snack with our titular owner chef.  Portrayed by Kaoru Kobayashi, the “Master” is a quiet but warm character who acts as the silent cauldron that warms the broth of each new character’s story.  Whether it simmers, goes flat or boils over is something you’ll cherish as each episode slowly unfolds.

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